Multi-Media Textiles: Where Anything Goes
Of the three textile pathways, followed at Loughborough University, multi-media textiles is the hardest to define. Students experiment with a range of textile techniques including: applique, beading, crochet, fabric manipulation, felting, hand and machine knit, hand and machine stitch, macrame, patchwork, and quilting. They may also use non-textiles techniques such as: ceramics, laser processing, metalwork and 3d printing. And they work with many different materials.
The multi-media pathway is highly regarded for its experimental and individual approach. Given the variety of techniques and materials students may use, it should not surprise you to learn that multi-media students work ranges from commercial design to fine art pieces. Therefore, multi-media students may show their collections at ‘Indigo’, alongside those from Print and Weave, as well as exhibit in art galleries.
Whilst I was working at Loughborough University, I was based in the “Stitch Room“. This is the hub for multi-media students, since this is where the CAD-embroidery machine, dress forms, embellishers, knitting machines, over-lockers and sewing machines are located. Workshops to learn hand and machine techniques take place here. And print and weave students come to finish their samples. I loved the buzz when there were many students all working on different projects and using different techniques. It is an inspiring place to be!
Ella’s collection, ‘Escape from the Country’ is inspired by rural and urban themes. She has used illustrative imagery to create fabric collages working with different textural qualities and vibrant colour combinations. Each piece involves traditional and contemporary textile processes. You should be able to spot hand stitching, applique, print and needle-felting in the images below. I think she has an excellent eye for colour!
Ella won third prize in the regional heats of the SDC International Design Competition 2014.
When I first met Emily, she was using free-style machine embroidery to ‘draw’ old industrial machinery. Although, her final pieces were still inspired by old machinery, she decided to create “tribal” style body adornment from some unusual materials. Emily used her dyeing skills to colour these materials, which disguises them well. If you look closely you may spot rope, copper plates curtain hooks, brass hooks and false hair. What you might not see is how these materials are connected using macrame.
Emily had placements at New Brewery Arts in Cirencester and Clemency Rittner Soft Furnishings in Swindon. She exhibited at the Arch Window, gpstudio, London in 2014.
Holly‘s final piece was inspired by how cells accumulate to make complex forms. She organised a community project involving unique drawing activities at local schools. She then used the drawings to create her final installation. It is interactive, since the individual pieces can be changed and moved to create an ever-evolving display.
Holly completed placements at J. Smith Esquire and Una Burke in London, The Hive, Shipley and The Art House, Wakefield. In 2013, Holly took part in the 20:20 Print Exchange Hot Bed Press and she will be exhibiting her work at the Arch Window, gpstudio, London.
I’ve shown you a little of the varied work produced by students following the multi-media textiles pathway. Somehow, when I visited the show to take photos, I missed out the part of the exhibition where most of the multi-media students had their work displayed. So, please visit the Flair website to see more.